• Projects
    • All Projects
    • Transcultural Aesthetics
    • Fragmented Commons
    • Monuments Matter
    • Performative Preservation
  • Curation
  • Exhibitions
  • Publications
    • Books
    • Journals
    • Catalogs
    • Press
  • Awards
  • News
  • Bio & Contact
  • [EXIT]
  • Menu

Azra Aksamija

Future Heritage Studio
  • Projects
    • All Projects
    • Transcultural Aesthetics
    • Fragmented Commons
    • Monuments Matter
    • Performative Preservation
  • Curation
  • Exhibitions
  • Publications
    • Books
    • Journals
    • Catalogs
    • Press
  • Awards
  • News
  • Bio & Contact
  • [EXIT]
_HAF8165.jpg
_HAF8069.jpg
_HAF8267.jpg
_HAF8031.jpg
_HAF8279.jpg
_HAF8295.jpg
Untitled1.jpg

Sanctuary Looms

August 09, 2020 in 2020

This immersive installation was developed for the “Sanctuary” exhibition at the Aga Khan Museum Toronto. The exhibition explores the notion of the safe haven, featuring 36 carpets created by notable international artists, including Mona Hatoum and Brendan Fernandes. Our immersive installation spans the entire gallery space, deploying thousands of shredded T-shirts, which were turned into loom-like spatial dividers. The exhibition architecture weaves the artists’ perspectives with the consumerist economy in which we participate and exist. The stainless-steel loom beams conjure images of retail warehouses and mass waste. The warp and the weft, made of shredded T-shirts, point at the fast-fashion overstock awaiting destruction at the end of the season. This second-life-themed exhibition architecture probes the social value of our waste: All exhibition materials will be recycled after the exhibition and made into carpets as sofreh (food offering). They will be gifted to new immigrants of Canada as portable “living rooms,” to welcome their arrival to a new homeland. The material narratives of sustainability yarn a perspective on the notion of the Sanctuary: to become less indifferent to the social costs of maintaining our lifestyles means to become more open to the voices of others, not as a negotiating technique, but as an indispensable part of our plant’s chorus.


Exhibition curators: Cheryl Haines, FOR-SITE Foundation and Michael Chagnon, Aga Khan Museum, Exhibition design: Future Heritage Lab, Artistic director: Azra Akšamija, Research and design team: Natalie Bellefleur, Lillian Kology, Exhibition photos: Toni Hafkenscheid ©Aga Khan Museum, 2020.

Process Drawing: Future Heritage Lab

Research and design team: Natalie Bellefleur, Stratton Coffman, Isadora Simone Stahl Dannin, Emily Jane Wissemann

Al Azraq Camp Photographs: Future Heritage Lab (FHL)

Principal Investigator and artistic director: Azra Akšamija, Research team: Zeid Madi, Melina Philippou, Photos by: Zeid Madi and Nabil Sayfayn (FHL) and Al Azraq Journal team: Hussein Al-Abdallah, Yassin Al-Yassin, Mohammad Al-Qo’airy, Mohammad Al-Mez’al, 2017. Cheryl Haines, FOR-SITE Foundation and Michael Chagnon, Aga Khan Museum

Exhibition design: Future Heritage Lab

Artistic director: Azra Akšamija, Research and design team: Natalie Bellefleur, Lillian Kology, Exhibition photos: Toni Hafkenscheid ©Aga Khan Museum, 2020.

Photos by: Zeid Madi and Nabil Sayfayn (FHL) and Al Azraq Journal team: Hussein Al-Abdallah, Yassin Al-Yassin, Mohammad Al-Qo’airy, Mohammad Al-Mez’al, 2017.

Exhibition design, immersive installation

Commissioned by the Aga Khan Museum Toronto, with MIT Future Heritage Lab

Materials: Over 2,000 shredded cotton T-shirts, stainless-steel beams

Dimensions: variable

Tags: Fragmented Commons
Screen+Shot+2020-08-03+at+10.20.41+PM.jpg
Screen+Shot+2020-08-03+at+10.20.41+PM.jpg
Screen Shot 2020-08-03 at 10.20.16 PM.png
Screen Shot 2020-08-03 at 10.22.03 PM.png
_HAF8279.jpg

Process Drawing

August 03, 2020 in 2020

This drawing explores the world through the lens of a cotton T-shirt, depicting three parallel narratives. The first story (green) traces the environmental footprint of T-shirts through the resources and the pollution that are part of its manufacturing process. The second plot (blue) examines the technologies of the T-Shirt production, from the cultivation of the cotton plant and the associated history of slavery to the industrialized fabrication […]

Read More
Tags: Fragmented Commons
190321_4.jpg 190321_3.jpg 190321_1.jpg 190321_5.jpg US_MG_5441-1000x660.jpeg img_TT_skinner_box.jpg Screenshot-2020-07-16-at-16.39.29.png

Operant Conditioning

August 29, 2019 in 2019

The project explores the colloquial connection between birds and psychiatric hospitals. Referencing the history of behaviorism, the project takes shape of the Skinner operant conditioning box* as a symbol of the dark age of psychiatry. In Skinner’s experiments, behavior was assumed to be a mere function of external stimuli without regard to the subjects’ will or agency. He famously conditioned pigeons to play ping-pong or develop superstitious behaviors —implying that with the appropriate […]

Read More
Tags: Fragmented Commons
Screenshot-2019-09-12-at-19.07.10.png
Screenshot-2019-09-12-at-19.07.01.png
Screenshot-2019-09-12-at-19.06.34.png
Screenshot-2019-09-12-at-19.07.58.png
Screenshot-2019-10-09-at-18.26.27.png
Set-up_1_Photo-by-AA.jpg
Workshop-at-American-Univ-Sharjah_4_Photo-by-Rebecca-Beamer.jpg
Exhibition_8_Photo-by-AZra-Aksamija.jpg
Exhibition_10_Photo-by-AZra-Aksamija.jpg
Exhibition_6_Photo-by-AZra-Aksamija.jpg
Exhibition_4_Photo-by-AZra-Aksamija.jpg
Screenshot-2019-10-09-at-18.26.01.png

T-Serai

January 01, 2019 in 2019

The T-Serai is a portable palace for transcultural futures. Inspired by textile histories of the MENA region, the project involves participatory creation of modular tapestries made of recycled clothes. The tapestries can be used to personalize the standardized refugee shelters (T-Shelters), facilitating mobile storage and vertical gardening. They can also be used to set up tents for storytelling and other social gatherings animated through multi-sensory experiences […]

Read More
Tags: Performative Preservation
IMG_1929.JPG
IMG_1930.JPG
IMG_1928.JPG
IMG_1927.JPG
IMG_1926.JPG
IMG_1925.JPG
IMG_1924.JPG
IMG_1923.JPG
IMG_1922.JPG
IMG_1921.JPG
IMG_1634.JPG
IMG_1635.JPG

Arteast 2000+ Pavilions

September 11, 2018 in 2018

Arteast 2000+ Pavilions is a large-scale installation of nine conceptual structures and graphic manifestos designed to spatially frame overlooked Eastern European artist groups within the exhibition Hello World: Revising a Collection at Hamburger Bahnhof, Berlin, critically expanding the canon of contemporary art through a dialogue on national collections, institutional critique, and global art histories.

Read More
Tags: Fragmented Commons, Curation
IMG_1948.JPG
image1.jpeg
IMG_1920.JPG
IMG_1918.JPG
IMG_1891.JPG
IMG_1939.JPG
IMG_1940.JPG
IMG_1941.JPG
IMG_1942.JPG
IMG_1943.JPG
IMG_1951.JPG
IMG_1949.JPG
IMG_1947.JPG
IMG_1944.JPG
IMG_1982.JPG
IMG_1985.JPG
IMG_1986.JPG
IMG_2001.JPG
IMG_2004.JPG
IMG_2005.JPG
IMG_2006.JPG
KFVQ8138.JPEG
PIAN1122.JPG
IMG_1863.JPG
IMG_1878.JPG
IMG_1984.JPG
IMG_1983.JPG

Digital Majlis

April 11, 2018 in 2018

Digital Majlis is a prototype for a future art and educational space developed by the Future Heritage Lab at the Al Azraq Refugee Camp in Jordan, reimagining the traditional majlis as a site for artistic creation, cultural preservation, and transcultural dialogue through collaborative projects between MIT and Syrian refugees.

Read More
Tags: Performative Preservation
IMG_1794.JPG
IMG_1786.JPG
Klanglicht-2018-c-LupiSpuma_0309.jpg
HTNC9384.JPG

Diaspora Scroll: Loom

January 01, 2018 in 2018

The Diaspora Scroll is a growing textile book that deconstructs myths of nationalism and local traditions through the embroidery patterns, which depict personal histories of migration, and the creation process, which facilitates transcultural exchange. The project takes the form through the sourcing, analysis of textile art, design, and techniques around the world, as well as through collaborative embroidery. Collaborating textile artists are invited to contribute to the project by […]

Read More
Tags: Transcultural Aesthetics
Slide1.jpeg
Slide2.jpeg
Slide3.jpeg
Slide4.jpeg
Slide5.jpeg
Slide6.jpeg
Slide7.jpeg
Slide8.jpeg
Slide9.jpeg
Slide10.jpeg

A Living Part of the World

September 16, 2017 in 2017

A Living Part of This World is a photo story and a poem documenting the creative ingenuity of Syrian refugees in Al Azraq Camp, Jordan—showcasing shelter adaptations, artistic inventions, and personal narratives produced through Future Heritage Lab workshops in photography and writing. The project highlights how art and design foster resilience, cultural preservation, and hope in humanitarian contexts.

Read More
Tags: Performative Preservation
DSC_0059-fotor-20250411133044.jpg
DSC_0272.JPG
DSC_0275.JPG
DSC_0272.JPG
DSC_0307.JPG
DSC_0364.JPG

Digesting Dayton

January 02, 2017 in 2012

Digesting Dayton is an interactive buffet installation mapping the internal political borders of Bosnia and Herzegovina onto a tablecloth, inviting participants—primarily from the Bosnian diaspora—to symbolically “eat away” the divisions imposed by the Dayton Peace Agreement, while sharing food and marking their places of origin in a collective act of remembrance and critique.

Read More
Tags: Fragmented Commons
Screen Shot 2017-05-14 at 11.43.00 AM.png
Screen Shot 2017-05-14 at 11.43.13 AM.png
Screen Shot 2017-05-14 at 11.43.46 AM.png
Screen Shot 2017-10-23 at 7.26.26 PM.png
IMG_1180.JPG
IMG_1217.JPG
IMG_1215.JPG
IMG_1209.JPG
IMG_1207.JPG
IMG_1196.JPG
IMG_1190.JPG
IMG_1187.JPG
IMG_1179.JPG
IMG_1160.JPG
IMG_1156.JPG
IMG_1151.JPG
p_8068.jpg
DSC_0005.jpg
p_7971.jpg
p_7952.jpg

Palimpsest of ’89

January 01, 2017 in 2017

Palimpsest of ’89 is an artistic installation exploring the role of Sarajevo’s cultural institutions in shaping the common heritage of Yugoslavia. The project was produced for The Heritage of 1989 exhibition at the Museum of Modern Art (Moderna galerija) Ljubljana, which reenacted the Second Yugoslav Documents, the largest retrospective of Yugoslav art before the 1990s Yugoslav breakup. Palimpsest of ’89 visualizes how the region’s history has been “written and rewritten” through the work […]

Read More
Tags: Fragmented Commons
IMG_5839.JPG
Screen Shot 2017-07-20 at 9.59.17 AM.JPG
Lightweaver interior_06.jpg
IMG_3796.JPG
IMG_4016.JPG
IMG_3668.JPG
IMG_3938.JPG
01_Journal_Team.png

Lightweaver

January 01, 2017 in 2017

The Lightweaver is a kinetic lighting sculpture that is also an educational and preservationist device, a cultural prosthetic for hope, and a visual critique of humanitarian design. The project was prototyped at MIT and developed as a co-creation with the artists, engineers, and inventors of the Al Azraq Refugee Camp in Jordan. The project represents both a poetic and utilitarian response to everyday life problems in the refugee camp: it addresses the visual impoverishment of shelters through the design of […]

Read More
Tags: Performative Preservation
IMG_4758.JPG
IMG_4750.JPG
IMG_1987.JPG
IMG_1989.JPG
IMG_2003.JPG
Screen Shot 2017-10-02 at 3.06.05 AM.png

Code of Ethics

January 01, 2017 in 2017

Code of Ethics? explores the intersection of aesthetics, ethics, and poetics in the humanitarian context. The project includes critical artistic investigations through participatory action research and transcultural workshops, offering a shared platform for dissemination of questions and critical reflections across cultural and disciplinary borders.

Gathering over shared meals, coffee, and chocolate, participants are asked to share their own experiences […]

Read More
Tags: Performative Preservation
14517602_1755771424692453_6488799295285709589_n.jpg
14344069_10154430435099034_5919682721742043048_n.jpg
14316842_1588083358164225_1243091272638193784_n.jpg
14317361_1587698988202662_8763108208147743688_n.jpg
14263975_1587699464869281_6161036440032902102_n.jpg
8.jpg
4.jpg
10.jpg

Memory Matrix: Jeepney

January 01, 2016 in 2016

The Memory Matrix – Jeepney is a temporary monument in the continuous process of building and dismantling. It is part of the ongoing Memory Matrix project series (see project description of the first iteration, Memory Matrix – Palmyra, 2016). The second iteration took place in Manila, within the London Biennale – Manila Pollination in Manila, Philippines. The Jeepney version was made of over 10,000 pixels. The larger matrix of pixels revealed an image of the jeepney, a relic […]

Read More
Tags: Monuments Matter
Memory Matrix_photo by Azra Aksamija.jpg
06 Aksamija Memory Matrix.jpg
DSC03522.jpg
IMG_0308.JPG
MM_photo by Dietmar Offenhuber_pixel detail4 (1).jpg
Memory Matrix_photo by Azra Aksamija (1).jpg
Cairo_forms1 14.jpg
MM_photo by Dietmar Offenhuber_wind (1).jpg
MM_photo by Dietmar Offenhuber_wind4 (1).jpg

Memory Matrix: Palmyra Arch

January 01, 2016 in 2016

The Memory Matrix – Jeepney is a temporary monument in the continuous process of building and dismantling. It is part of the ongoing Memory Matrix project series (see project description of the first iteration, Memory Matrix – Palmyra, 2016). The second iteration took place in Manila, within the London Biennale – Manila Pollination in Manila, Philippines. The Jeepney version was made of over 10,000 pixels. The larger matrix of pixels revealed an image of the jeepney, a relic […]

Read More
Tags: Monuments Matter
Eiffeltower in Ramallah_11.jpg
Eiffeltower in Ramallah_night.jpg
IMG_8082.JPG
14567623_1147130225335661_8894086339365161959_o.jpg
14681675_1147131408668876_7549558997851898495_n.jpg
14610869_1147128182002532_1968840607877892869_n.jpg
IMG_8040.JPG
IMG_8058.JPG

Memory Matrix: Eiffel Tower

January 01, 2016 in 2016

The Memory Matrix – Eiffel Tower is a temporary monument in the continuous process of building and dismantling. It is part of the ongoing Memory Matrix project series (see project description of the first iteration, Memory Matrix – Palmyra, 2016). This iteration took place in Ramallah, part of the 3rd Qalandiya International Biennale. The Memory Matrix – Eiffel Tower references both Ramallah’s disappeared radio antenna and its […]

Read More
Tags: Monuments Matter
2016-09-01-PHOTO-00000560.jpg
FullSizeRender-1.jpg
IMG_7192.JPG
IMG_7529.JPG
7.jpg
8.jpg
9.jpg
IMG_7563 1.JPG

Memory Matrix: Fragment

January 01, 2016 in 2016

The Memory Matrix – Fragment is a temporary monument in the continuous process of building and dismantling. It is part of the ongoing Memory Matrix project series (see project description of the previous two iterations, Palmyra and Jeepney). The Fragment was produced during the Amman Design Week and included two workshops. Participants were given cut-outs from the Palmyra edition’s pixels to create jewelry. Participants designed jewelry both […]

Read More
Tags: Monuments Matter
Prev / Next